Nick Curtis is The Standard’s chief theatre critic, co-host of the Standard Theatre Podcast, a feature writer and an award winning interviewer. Although he has written predominantly for the Standard for three decades his work has also appeared in most major English newspapers and magazines from Radio Times to Tatler to GQ....
Nick Curtis is The Standard’s chief theatre critic, co-host of the Standard Theatre Podcast, a feature writer and an award winning interviewer. Although he has written predominantly for the Standard for three decades his work has also appeared in most major English newspapers and magazines from Radio Times to Tatler to GQ.
Amalia Vitale and Ekow Quartey are arch and spirited as the central, wittily unwilling lovers
Forget the old adage 'never work with children or animals', this production has great fun with children *as* animals
The pair were gobsmacked when they were both named as joint winners
Nancy and the Nicks bring you all the glitz, glamour and goss from London theatre's biggest night of the year
This dimwitted ruling family's psychodrama makes no sense of wider society. The costumes are great though...
The Taskmaster favourite talked to us ahead of hosting the 67th Evening Standard Theatre Awards
Nicole Scherzinger, Sam Mendes, Ian McKellen... the glamour quotient was off the scale
This charming Christmas musical, which references films from When Harry Met Sally to Ghostbusters, will have you pining for the Big Apple
Plus! our review of The Time Traveller's Wife....
Getting a CGI Venus Flytrap for Christmas isn't traditional, but John Lewis makes it work
At times, this play about the relationship between the Queen Mother and her favourite servant doesn't quite know where to go
There are echoes here of writer Richard Bean's best work – such as One Man, Two Guvnors – but they are faint
Plus, would you fancy hearing David Tennant as Macbeth in binaural sound?
This playful but clunky drama explores moral grey areas but strays into them too
Audrey Niffenegger’s 2003 bestseller has been adapted by impressive talent, what a shame it's so bland
Though his take on 'the actor's Everest' initially fails to ignite, in the final third Branagh's performance is truly moving
This story of loneliness, desire and longing is strange, beguiling and surprisingly warm
"I think the terrifying thing about performing Mrs Lovett, is putting on a cockney accent in front of all these Brits"
Oh brother! It's totalitarianism with a side order of Negronis
This new work by Penelope Skinner is an assemblage of half-baked ideas and lazy conceits