Homecoming for Whiteread

The Weekender

Sign up to our free weekly newsletter for exclusive competitions, offers and theatre ticket deals

I would like to be emailed about offers, event and updates from Evening Standard. Read our privacy notice.

Fourteen years ago, an aspiring young artist was working at the Serpentine Gallery as an assistant. Her name was Rachel Whiteread. Now she is back, at 38 an internationally renowned sculptor, with an exhibition of her work that complements her monumental upturned plinth in Trafalgar Square.

It features two new pieces, both derived from her studio - a former synagogue. One is a cast of a staircase partly askew and the other, her terracotta floor tiles in iron - reminiscent of the notorious Carl Andre bricks at the Tate.

"When I worked at the gallery, I was struck by its audience," she said. "Always a great mixture of aficionados and recreational members of the public. I wanted the first gallery to initially seem empty, so that the piece was walked upon before it was noticed, acting as an unexpected introduction to the exhibition."

Visitors tend to be chary about walking on what are presented as works of art - whether out of respect or fear of infringing rules - but if they do so this time they are in for a surprise. Ms Whiteread said: "When you walk across it some of the tiles are slightly wobbly. When you're on the piece, it is a bit uncomfortable and there's nothing else on the walls."

To her mind, it precisely met her desire "to make something that was very discreet, but also confrontational".

The other sculptures in the show, whether casts of baths or tables or books, date back to 1988 when she first hit upon the idea of negative images that has become her trademark.

She said: "I was trying to make concrete a childhood experience, sitting in a cupboard and hiding and trying to make this dark, fuzzy, claustrophobic space."

The result was Closet, a piece not on show at the Serpentine. Shallow Breath, a cast of of a mattress made in the same year, is displayed.

Ms Whiteread rose to fame in 1993 with House, a cast of the inside of a condemned house which helped win her the Turner Prize and provoked questions in Parliament.

Her latest work is Monument in Trafalgar Square. She said: "As far as I am aware, the reaction has been good, though there has been some criticism which I take on board."

The Serpentine exhibition opens today.

Create a FREE account to continue reading

eros

Registration is a free and easy way to support our journalism.

Join our community where you can: comment on stories; sign up to newsletters; enter competitions and access content on our app.

Your email address

Must be at least 6 characters, include an upper and lower case character and a number

You must be at least 18 years old to create an account

* Required fields

Already have an account? SIGN IN

By clicking Sign up you confirm that your data has been entered correctly and you have read and agree to our Terms of use , Cookie policy and Privacy notice .

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged in

MORE ABOUT