A reputation for staining

Alix Buscovic11 April 2012
The Weekender

Sign up to our free weekly newsletter for exclusive competitions, offers and theatre ticket deals

I would like to be emailed about offers, event and updates from Evening Standard. Read our privacy notice.

I've more than a vested interest in making stained glass. Not only have I had a lifelong fascination with rose windows and all things Victorian, but I've also got some ugly panes in my flat, and fancy myself as a kind of downmarket Laurence Llewellyn-Bowen. So I enter Rainbow Glass Studios with visions of Pre-Raphaelite splendour, considering whether I should choose a Rossetti or Burne-Jones painting as my model. And then owner Richard tells me we'll be lucky to finish a nine-pieced, A4-sized pane in the next seven hours.

This is not a job for people who have a) a lack of patience, b) a problem with precision c) a blinding hangover. I have all three, and my handy knack at both breaking the glass in the wrong place and not pressing hard enough on the compass-like cutter to make an indentation is, I hope, entertaining at least. But I end up drawing a design that's about as hard as nine sections could possibly be, as it's completely curved.

Fortunately, Richard helps me out, using special 'grozing' pliers and a grinder to make the glass fit my paper pattern exactly (essential if your work is to fill a specified space). The next step is to cut strips of hollow leading to make a frame, and thus assemble the piece. Working with such tiny sections might be fiddlier than sewing a doll's underpants, but you can't beat it for job satisfaction. My medieval flower finally looks like a bona-fide stained-glass panel. But each join needs soldering in place to keep blossoming. So, after going over the lead with a steel brush and a lump of tallow to make the solder stick (being a vegetarian, I leave the tallow part to Richard), I'm given a soldering iron as hot as the Caribbean sun in one hand and a strip of solder in the other. It's now 6pm, so we skip the final stage of weatherproofing and I head home. Somehow, when I hold the finished panel (below) over my door, I find those Pre-Raphaelite visions have returned...

Stained-glass making, Rainbow Glass Studios, 172C Stoke Newington Church Street, N16. For details, call Richard Paton on 020-7249 0276 or e-mail enquiries@rainbowglassstudios.co.uk

Create a FREE account to continue reading

eros

Registration is a free and easy way to support our journalism.

Join our community where you can: comment on stories; sign up to newsletters; enter competitions and access content on our app.

Your email address

Must be at least 6 characters, include an upper and lower case character and a number

You must be at least 18 years old to create an account

* Required fields

Already have an account? SIGN IN

By clicking Sign up you confirm that your data has been entered correctly and you have read and agree to our Terms of use , Cookie policy and Privacy notice .

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged in